stencil

SHEPARD FAIREY

in ,

(1970, South Carolina, US)

Frank Shepard Fairey is an American contemporary street artist, graphic designer, activist and illustrator who emerged from the skateboarding scene. He first became known for his "Andre the Giant Has a Posse" (…OBEY…) sticker campaign while attending the Rhode Island School of Design (RISD), which appropriated images from the comedic supermarket tabloid Weekly World News.

Fairey's first art museum exhibition, entitled Supply & Demand (as was his earlier book), was held in Boston at the Institute of Contemporary Art during the summer of 2009. The exhibition featured more than 250 works in a wide variety of media: screen prints, stencils, stickers, rubylith illustrations, collages, and works on wood, metal and canvas.

As a complement to the ICA exhibition, Fairey created public art works around Boston. The artist explains his driving motivation: "The real message behind most of my work is 'question everything'."

In July of 2015, Fairey was arrested and detained at Los Angeles International Airport, after passing through customs, on a warrant for allegedly vandalizing 14 buildings in Detroit. He subsequently turned himself in to Detroit Police.

Watch this video of OBEY:


PEAT WOLLAEGER

in ,

(St. Louis, MO, US)

Peat 'EYEZ' Wollaeger has been drawing and painting ever since he was a kid. He started doing commercial art in the 90’s and continued for almost a decade, creating urban designs for such clients as Coca-Cola, R. J. Reynolds, M&M Mars, Anheuser Busch and some lesser evils. Burned out with the graphic arts scene and not creating any personal art, he started using stencils and spray enamels to reproduce his illustrations, and now it’s his medium of choice. 

Internationally known for his whimsical, raw, and brightly-colored stenciled characters that include, Mr. Teeth, the Dead Fat Comedians, Albino Alley Cat, and the Luchador series, Peat Wollaeger is one hard-working artist. His work can been seen all over the globe. His Luchador room at Hotel Des Arts in San Francisco, his massive wall tribute to Keith Hairing at Art Basel in Miami, the 700,000 aluminum bottles of Mountain Dew with emblazoned with his original design, his recent exhibit in Melbourne, Australia, Peat Wollaeger's art is everywhere. 

Watch this video of 'Opening Eyez on the Street' by TEDx Talks:


LOGAN HICKS

in ,

Logan Hicks is a New York-based stencil artist whose work explores the dynamics of the urban environment. Originally a screenprinter, Logan's work has gained notoriety due to his ability to capture the sometimes mundane cycle of city life in a haunting, yet refined way with his hand-sprayed stencils.

Stenciling started as a substitution for screenprinting, but quickly morphed into Logan's medium of choice. A perfect union was conceived by spraypaintingstencils his subjects: the dirty and gritty nature of the spraypaint thoroughly depicted the decay of the city while the muted shine of metallic paint mirrored the faint glimmer of hope and life within it. It is this symbiotic relationship with the city that fuels his work.

With his photorealistic style, Logan draws a parallel between the cold, harsh city and a warm, vibrant organism. It is alive; a breathing creature where the ebb and flow of people washing over its sidewalks act as cells circulating through its veins. Buildings block passageways, walls block views, doors hide openings. The outside world is effectively shut out while the city creates its own reality. Confined spaces on subways, honeycomb living structures; it is a labyrinth of working systems limited only by its border, its 'skin'.

Logan uses his art to explore the microcosm in which he is a cell, just part of a whole. The nuances of city life that epitomize the urban existence are what he dwells upon.

Watch this video of Logan Hicks exploring the nautical in his latest stencil paintings:


FAILE

in ,

(1999)

FAILE is the Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller. Their name is an anagram of their first project, “A life.” Since its inception in 1999, FAILE has been known for a wide ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage. While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to vast array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels.

FAILE’s work is constructed from found visual imagery, and blurs the line between “high” and “low” culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site-specific/archival research into their work.

Watch this video on their permanent installation by Vice:

DIXON

in ,

(Caracas, Venezuela)

A confluence of cultures and contradictions, Juan Carlos Noria 'Dixon' is a painter for our times. As a teen growing up in Ottawa, Canada, he became an accomplished figure skater. Grace and lines were an obsession. So, too were his ideas of subversion. He fell out of skating after hitting the rigid class structure of the sport, finding comfort (and discomfort) in visual art, on the streets with a paint can, postering, skateboarding, fleeing police. 

A strange opportunity then came. A world tour with Disney on Ice. It heightened his sense of absurdity, humour and anger, sharpened his visual and social awareness. Arriving back in Ottawa, he hung up the skates and his career took flight with live painting performances. So proficient from his days of graffiti, he quickly earned a reputation for highly resolved canvases produced in front of appreciative crowds. Through these events in various venues, Juan Carlos also ensured a showcase for other young Ottawa artists, raising the bar and pushing them to achieve with him. 

Juan always with an eye on pop culture and current events, found himself painting with increasing anger. He needed to change the channel. In November 2004, he moved to Barcelona, Spain to find a new view of the world and new audiences.

He sometimes works under the pseudonyms of royal or dixon. He has been infuenced by his contemporaries Mark Marsters, Pat Thompson and Dave Cooper. Yet he is without pretense, full of concern for others, quick to laugh and quicker to paint something ripe.

Watch this video about Dixon by DevotionBCN:


Adam 5100

in ,

(Albuquerque, US)

Adam 5100 hails as one of the top stencil and cut paper artists around, producing works that evidence meticulous execution and a high level of craft. His paintings strongly lend themselves to the process involved with creating them. His childhood in Albuquerque, New Mexico was spent examining and interacting with the surfaces of the city through making graffiti art.  His awareness of the structures we use every day but often overlook has become the subject of his current work: the buildings, doorways, fenced trees, discarded buses and chipped alley walls that fill our cities and map our lives. Through an intricate process of hand-cut stencils and enamel painting, he explores the relationship between our perceptions of the temporary and the eternal, uncovering the stories we have transcribed on an urban landscape filled with utilitarian objects.

Adam5100's works have taken on a satirical look, challenging concepts of modernity, using spaces as a language to describe forgotten places, and light to evoke their story and context within the present. His stencils represent hundreds of hours of meticulous work and fine detail, evoking the stunning absence of form in an image. 

"We live in an ever-changing city sculpture, constantly being shaped, broken down and rebuilt again by countless personal human moments."

Learn the art of layering with Adam5100 by KQED: